Before I Die – New Orleans Art Installation
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May
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May
As I was stumbling around on the internet, I came across an artist named Candy Chang who after the death of her mother, created the Before I Die art installation. The project was simple; obtain a permit from the city, borrow a wall on an abandoned house, paint the topic at the top, and wait for the blanks to be filled in.
When Candy started this project it was probably just her way of expressing cathartic grief, but in 24 hours she would unite a community of strangers.
While I was reading the blanks along the wall, I couldn’t help but notice how simple some of them were. Before I Die, I want to: ”swim without holding my nose,” “plant a tree,” and “go to an LSU game,”…absolutely attainable goals.
But then there was one that really struck a chord with me. It read, Before I Die, I want to: “tell my mother that I love her.” I have a great relationship with my mom. We talk on the phone every other day and whenever we’re together it’s nothing but good food and lots of laughter. But until I was 12, I hadn’t ever told her that I loved her.
For me, it was a cultural obstacle, because Vietnamese parents never say it to their kids, it’s simply understood. But then one day, my mom was driving home from work when she was T-boned by a drunk driver who then sped off and hit a tree, killing himself. After tumbling 4 times across the freeway, my mom’s car landed upside down in the middle of the fast lane. I recall jerking awake in the middle of the night and wondering why my parents hadn’t come home yet; and then the phone rang. My grandmother was talking to my dad, but my Vietnamese wasn’t very good so I only caught a few vague words: hospital, surgery, us kids being asleep…enough to know that something bad had happened.
That accident was a game changer. What if my mom hadn’t made it that night? My childhood was rocked pretty hard that night because for the first time in my life I was forced to consider the fact that my parents weren’t going to be around forever.
To this day I’m not sure what possessed me to do it, but my 12-year-old self hopped on her hospital bed and boldly said, “I love you Mom,” to which she replied, “Remember that when I ask you to do the laundry.”
I believe it was Matt Damon’s character in We Bought a Zoo who said, “All you need is 20 seconds of insane courage, and I promise you, something great will come of it,” and he was right. That was the one and only time I’ve ever said “I love you” to my mom, because as it turns out, cultural traditions don’t change in a single moment of impact. What it did do though, was open me up to the idea of love being expressed differently. My parents will never overtly tell me that they love me, but the sacrifices they’ve made on my behalf throughout my entire life, are proof of that love.
That stranger, whoever they are, filled in a blank with something that really resonated with me and looking at the ripple effect that the wall has had around the globe, I think it’s safe to say it has for others as well.
On a macro level, the bigger picture element with the art installation has to do with connecting a community of strangers. When something like this is dropped into a neighborhood, we get a glimpse into each other’s lives, thereby connecting with strangers in our neighborhood via common goals, fears, or desires. Even if we never actually meet our neighbors in person, it’s a great way to connect with others on a level deeper than the common “hello” as we pass them on the street.
Bryan Pickings said it best: “The notion of turning a neglected space into an active invitation to engage with your community and get to know your neighbors is a wonderful embodiment of enlightened urbanism.”
Before I die, I want to: “tell my mother that I love her,” was the line that resonated with me, but there are so many others to choose from. What makes this project powerful is the proximity from which the comments are derived. It’s the man sitting next to you at the bus stop, or the lady in the grocery store with the two kids–who also contributed to the wall– tugging at her jeans. Its impact is powerful because the connection is nearby, real, and honest.






